Download A Hut of One's Own: Life Outside the Circle of Architecture by Ann Cline PDF

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By Ann Cline

This small booklet on small dwellings explores the various greatest questions that may be posed approximately structure. What starts the place structure ends? What used to be earlier than architecture?The ostensible topic of Ann Cline's inquiry is the primitive hut, a one-room constitution equipped of universal or rustic fabrics. Does the proliferation of those constructions in recent years symbolize escapist architectural delusion, or deeper cultural impulses? As she addresses this question, Cline gracefully weaves jointly tales: one in all primitive huts in instances of cultural transition, and the opposite of diminutive buildings in our personal time of architectural transition. From those narrative strands emerges a deeper inquiry: what are the limits of structure? What ghosts inhabit its edges? What does it suggest to stay open air it?Cline's undertaking started twenty-five years in the past, whilst she got down to translate the japanese tea ritual into an American idiom. First gaining knowledge of the conventional tea practices of Japan, then development and designing huts within the United States, she tried to make the "translation" from one tradition to a different via using universal American development fabrics and know-how. yet her research ultimately led her to examine many nonarchitectural principles and assets, for the hut exists either first and foremost of and on the farthest fringe of structure, within the margins among what structure is and what it truly is not.In the ensuing narrative, she blends autobiography, historic examine, and cultural feedback to think about where that such constructions as shacks, teahouses, follies, casitas, and diners--simple, "undesigned" locations valued for his or her timelessness and authenticity--occupy from either a historic and modern point of view. This booklet is an unique and innovative try to reconsider structure via learning its boundary stipulations and formative structures.

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Extra info for A Hut of One's Own: Life Outside the Circle of Architecture

Sample text

As the autumn rains came, the idea of enclosure turned immediate. But quickly nailing plywood and cardboard temporarily to the frame put me back inside the appliance box again, scale for scale, as if I were a child but one who’d outgrown her imagination. Of the crude openings I left in these thoughtless walls, those nearest the floor brought me the most pleasure: by extending the floor to the surrounding ground, nearby tree trunks and falling leaves, unremarkable in full view, became passionate vignettes.

Then we grow up. Diminutive space now becomes the backseat, then the frontseat of a car, or 27 Interval: The Hut in the Backyard maybe the cabin of a train or a ship. We find such spaces tolerable, or even enchanting, because they can go places. They move. To begin I built a simple platform—six feet by eight feet—with four corner columns supporting a pitched roof. Sitting on the platform’s floor was like being in a gazebo; it had shade, breeze, and view. But as with all gazebos, sitting there also exposed me to prying eyes.

Lives undefined by necessity but torn by choice find, in music, a landscape of existential authenticity and bottom-line passion. Two minutes of Ry Cooder’s guitar creates an empty, dusty highway taking us to Paris, Texas, no matter where we hear it, no matter— or because—we haven’t been there ourselves. The highway to Wim Wenders’s haunting, yet ever-so-familiar Paris, Texas, is the road of modern longing: to be on some roads, but not all roads. The pain we feel comes less from the choices we make than from those we cannot consummate, those we leave behind.

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